As She Fits The Leaf Probe
As She Fits The Leaf,since 2026 ca. 60 × 42 cm, pencil on papier
Home
↻•••
Women
„Its not that what is past casts its light on what is present, or what is present its light on what is past; rather, image is that wherein what has been comes together in a flash with the now to form a constallation. In other words, image is dialectics at a standstill. For while the […]
IMPRINT
Imprint Trotz sorgfältiger inhaltlicher Kontrolle übernehme ich keine Haftung für die Inhalte externer Links. Für den Inhalt der verlinkten Seiten sind ausschließlich deren Betreiber verantwortlich. Die Texte und Fotos auf den Internetseiten, die auf dieses Impressum verweisen, sind urheberrechtlich geschützt. Eine über privaten Gebrauch hinausgehende Weiterverbreitung der Abbildung bedarf der vorherigen Nutzungserlaubnis. Das Kopieren dieser […]
Bio / CV
Emmy Iolanda Patrizia Bach Ruscellowas born 1983 in Munich/Germany. Through her artistic practice, she has called many places home: She lives and works in Berlin and Brandenburg, and at times in Istanbul and Serramonacesca. She has taught at various universities as a professor and lecturer. Scholarships, Awards and Residencies 2024 – grand prize, art in public space (Kunst […]
About this webpage
Lorem ipsum dolor sit amet, consectetur adipiscing elit. Ut elit tellus, luctus nec ullamcorper mattis, pulvinar dapibus leo. Hier ist ein von Jakub geschriebener Absatz. Sed ut perspiciatis unde omnis iste natus error sit voluptatem accusantium doloremque laudantium, totam rem aperiam, eaque ipsa quae ab illo inventore veritatis et quasi architecto beatae vitae dicta sunt […]
News
P E A C E F U L N E W Y E A R 2 0 2 6 May we all enter a peaceful New Year 2026, free of tyranny, full of magic, and with faith in art’s freedom. 2026 Part of my work I See the Forest for the Ghosts– on […]
Artist Statement
About this website Drawing Now comes the present day, wherein a new revival of this kind of learning remains in its nascent stages, to which, as we said, we hope to contribute by publishing this translation. Hence let us speak of the text itself, which comes down to us in two forms. For want of […]